Hotel Tierra Patagonia
Light and Precarious
Architectural proposal by the Chilean architect Cazú Zegers that seeks to carry out minimal interventions, establishing a balanced link with nature, creating a landscape that does not demystify the territory, but on the contrary, enhances it. In this approach, the precarious, far from being poor, becomes virtuous. It is characterized by being an artistic posture from Latin America to the world.
The hotel is located at the northern entrance of the Torres del Paine National Park, on the shores of Lake Sarmiento, which in turn is the boundary with the National Park. The gesture of the building arises from the shapes drawn by the wind, a characteristic natural element of the area. The form seeks not to break into the metaphysical landscape of the place, but to join in. The image of the hotel is that of an ancient fossil
of some prehistoric animal, stranded on the shore of the lake. The vegetation that was located in the territory where the hotel was going to be built was lifted and stored in a greenhouse so that later, upon completion of construction, it could return to its original space and cover the architectural work.
Gesture-Figure-Form
It is a methodology devised by Cazú Zegers at the beginning of her career to develop an architectural project based on drawing. The gesture of the project appears thanks to the observation of the territory and is then transferred to paper. From the drawing of the gesture, the figure and form of the project is found in a process where the gesture is dematerialized.